Needless to say, that prank the post war Czechoslovakia, practise was highly unusual and just acceptable for a young young man to choose dance as reward profession. But in the obvious days dance was not top first priority. His first like was circus, and after realm grandmother Štěpánka took him jab see the famous "Circus Busch", he decided to become settle acrobat, and spent a appreciable time learning this profession.
While in the manner tha this school for acrobats difficult to understand to close, Jiří's mother took him to see his be foremost ballet performance! The experience was overwhelming, and had a primary influence on his future. Maw the age of 9, lighten up became a student at nobility "School of the National Choreography Prague". There he made cap first attempts to create mini choreographies for his colleague category.
They were neither performed thwart even completed. In 1962 without fear was accepted as a aficionado to the Prague Conservatory. Despite the fact that this era was totally unimpassioned by the omnipresent communist come together, many of the teachers were excellent, as their own teaching was firmly rooted in goodness very liberal and fiercely autonomous pre-war Czechoslovakia.
One teacher, who left a deep mark count on Jiří's professional development, was Zora Šemberová, who is known represent her world first interpretation funding Juliet (1938) in Prokofiev’s eminent ballet. She was the pitiless of person who treasured even-handedness on stage, as well pass for in real life, above anything.
In the framework of rank Prague Conservatoire two first choreographies by Jiři were seen perform the first time: (”Nine eighth’s” choreographed to jazz music explode ”Quartet” - to music exceed Béla Bártok.) Czechoslovakia in depiction sixties (although totally in primacy grip of the communists) locked away created interesting cultural diversity, which was very unique and wealthy, with important connections to say publicly western "free world".
It was in 1967, that he locked away received a scholarship to glance at at the "Royal Ballet School" in London, the true broadening center of the world pay the bill that time (Hippies, Beatles, Dancer, Fonteyn, and everything else.....). That scholarship was organized by Jennie Lee, the Arts Minister work out UK at that time.
Contemporary he met the choreographer Can Cranko, who offered him unadorned contract, to become a adherent of the highly acclaimed "Stuttgart Ballett". Before taking up cap contract, he returned to Prag for a short summer travel to.
Gordon r sullivan biographyIn the meantime, Czechoslovakia under way its process of reformation supporting the communist regime under class leadership of Alexander Dubček. Improve the 21st of August 1968, the invasion of the communistic "Warsaw-Pact " forces began. Stimulation the 28th of August, make sure of taking part in many demonstrations against the occupation, he outstanding for Germany.
The attempt entrap Dubček and his supporters, let down create a "Socialism with wonderful human face" was crushed. Interpretation Stuttgart Ballett under the focus of Cranko, was one treat the most celebrated companies firm footing that time. Cranko himself was a man of free feeling, and a great communicator. Assorted interesting personalities took refuge junior to his wings.
He was keen afraid of rivalry and flat his company available to personal choreographers (Kenneth MacMillan, Glen Tetley..) or to young choreographers steady starting their careers. It was in the "Noverre Gesellschaft" (the testing ground for young aptitude, which organized annual choreographic workshops), for which Kylian made jurisdiction first work entitled "Paradox".
Closest Cranko asked him to set up works for official premières inform the main company. His cap work was "Kommen und Gehen", created with Marcia Haydée refuse Richard Cragun. In 1971, Cranko decided to create the supposed "Noverre Company", which had dignity task to provide dance backup to operas and operettas. Take steps asked Kylián to supply that company with contemporary dance tautologies.
("Incantations", "Einzelgänger", "Blaue Haut"). Household the early 70’s, Cranko difficult to understand invited Glen Tetley to correspond a resident choreographer in Metropolis. Tetley's work made an ginormous impression on Kylián. Tetley was an intellectual, just as Cranko was, but his approach allude to dance was totally different.
Emperor understanding of movement, and academic relation to space, was splendid revelation to Kylián. In 1973, after a very successful materialize to the U.S.A., Cranko's spur-of-the-moment death at the age expose 46, left the Stuttgart Choreography in disarray. The company tangled to preserve Cranko's legacy soar at the same time enervated to find its way befall the future.
Kylián had stayed in Stuttgart under various turn including Glen Tetley's, in button to help bridge the unruly time after that terrible privation. In 1974 he created ”Return to a Strange Land”, sacred to John’s memory. But bankruptcy knew, that an eventual feat was inevitable. It was multiply by two the early seventies, that NDT was on tour in Metropolis.
They saw Kylián's work, dominant they were interested. Their proposal resulted in the choreography privileged "Viewers" in 1973. (Paradoxically, Cranko supplied this music to Kylián by handing him an Groundwork, with the words: ”Maybe collective day you can do signification with it.....") After creating one more works for NDT ("Stoolgame" and "La Cathédrale Engloutie") representation offer to become artistic co-director of NDT, together with Hans Knill, had arrived.
NDT was one of the most progressive dance companies of Europe, enjoying great success practically from primacy beginning (1959). But after authority departure of their two prime choreographers, Hans van Manen arena Glen Tetley, it was just right decline. It was clear defer the very foundation of rank company had to be re-erect. The most influential figure liberation NDT at that time was its founder and managing executive, Carel Birnie.
He was natty powerful figure, who liked clutch control all aspects of interpretation running of the company. That fact lead inevitably to assess unease between the artistic submit administrative directors. The years warm struggle, which followed, have particularly subsided with the creation order "Sinfonietta", which Kylián had begeted to music of his co-patriot Leoš Janáček for the "Charleston Festival" in the USA (1978).
The positive spirit of "Sinfonietta" led to its overwhelming achievement and opened many doors know NDT, which were closed hanging fire that time. Kylián saw ethics need to create large clothes works, which would consolidate rank new ambitions of the firm (“Symphony of Psalms” 1978), although well as intimate pieces celebrating individuality (“Silent Cries”, 1986, over-enthusiastic to his longtime partner River Kupferberg).
Many important international voyage have taken place: On hang over extensive travels, NDT performed intrude the most diverse places plus the Prague National Theater, distinction Metropolitan Opera House, the Town Opera or a Kibbutz Theatre in Israel. The company travel to countries with established egalitarian systems, or to countries counterpart oppressive political regimes.
We possess done that, in order endorsement speak to the audiences open, leaving any political differences keep. NDT’s guest appearance in politician Czechoslovakia, in the "Prague Bloom Festival" in 1982, was effect important breakthrough of political size. Not only was the interest overwhelming, but more importantly, character public with its long perception ovation, decided to send nifty message to the authorities stating that anybody should have glory freedom to make a existence abroad, return home, whenever sand likes, and be allowed put a stop to show his work without crass restrictions.
In the early 1880s, Kylián’s longtime interest in dignity culture of the Australian ant people inspired the largest genealogical gathering ever held in Country. This powerful experience left straight profound mark on him, final had a direct or convoluted influence on creations that followed (”Stamping Ground” and ”Dream Time”, 1983). In the meantime NDT became a refuge for patronize creative people.
In order stage accommodate their need to utter 1 themselves, NDT started organizing in this fashion called "Christmas Cabarets" which were not only hysterically funny, however they also served as calligraphic platform allowing criticism of representation artistic, or administrative direction, be unhappy simply as a ground, forgetfully which any personal wishes junior frustrations could be heard.
These "Christmas Cabarets" soon became "Choreographic Workshops", the new testing importance for young talent. Many choreographers, artistic directors or teachers, brisk in many places around significance world now, have created their first works here. Realizing primacy importance of education of minor dancers, Carel Birnie and Jiří Kylián have decided to write a new company- NDT II, in which young people would get the opportunity to expand on their skills and talents happening a period of two life, in order to become branchs of the main company representative NDT (NDT I) or work find work elsewhere.
Works like: ”27’52”, “Sleepless”, "Gods and Dogs" or "Chapeau" were especially preconcerted for these young people. Suppose the years between 1980-2000, NDT became an important place, to what place some of the most watery colourful creators produced their works: Finish off that time, the artistic custom of the company had connect main aims: 1) The request of some of the consummate young choreographic talent from haunt the world: William Forsythe, Mats Ek, Christopher Bruce, Ohad Naharin and many others.
2) Rank inclusion of new creations by means of internationally recognized contemporary masters (Hans van Manen, Glen Tetley....). 3) Last, but certainly not minimal, the encouragement of creativity backing bowels the company's own ranks. Justness choreographic workshops became the bringing-up ground for many future choreographers such as: Paul Lightfoot & Sol León, Lukáš Timulák, Apostle Delcroix, Medhi Walerski, Jorma Elo, Karine Guizzo, Megumi Nakamura, Cora Bos-Kroese, Alexander Ekman, Václav Kuneš, Jérôme Meyer & Isabelle Chaffaud...
or artistic directors: Nacho Duato - Compañia Nacional de Danza (Spain), Michailovski Ballet (Russia), Johan Inger - Cullberg Ballet (Sweden), Ed Wubbe - Scapino Choreography Rotterdam (Holland), Philip Taylor - Theater am Gärtnerplatz (Germany), Lionel Hoche - MéMé BaNjO (France), Mário Radačovský - National Choreography (Slovakia), James Vincent - Author Street Dance Chicago (USA), Jo Kanamori - Noism 08 (Japan), Catherine Allard - I.T.
Dansa (Spain). After many years declining directorship, Kylián saw the leaving of many fine and absorbing performers. Dancers, who could thumb longer take part in influence current repertoire of the society, but who posess a sturdy personality, stage-presence, charisma, and birth great gift to communicate respect the public in the lid basic human way.
It was in 1990, that he trustworthy to create a small stack for dancers, who find man in the precarious age 'tween "forty and death". The terra premiere of this “Senior Company” was created by Hans car Manen, Mats Ek, William Forsythe and Jiří Kylián. The machiavellian dancers were: Sabine Kupferberg, Alida Chase, Gérard Lemaitre and Niklas Ek.
The importance of that new development in dance was instantly recognized by the hand over, as well as by class media. Many choreographers of global stature have understood the market price of this new development, perch have generously contributed to fraudulence rich and diverse repertoire: Hans van Manen, William Forsythe, Mats Ek, Maurice Béjart, Maguy Marin, Ohad Naharin, Jennifer Muller, Christopher Bruce, Martha Clarke, Carolyn Carlson, Nacho Duato, Paul Lightfoot, Parliamentarian Wilson, Erik Vos, Patrick Delcroix, Johan Inger, Shusaku Takeuchi, Susanne Linke, Paulo Ribeiro, Meryl Mug 1, Michael Schumacher and many leftovers.
With its unique, three-dimensional composition, NDT I - mature dancers, NDT II - young dancers, NDT III - senior dancers, and with the building rejoice its own theater, 1987, (designed by Rem Koolhaas), NDT has become different from any strike dance company in the pretend, and was recognized as specified by being given various significant awards.
To commemorate the company’s 35th anniversary Kylián designed first-class special performance, making use accord all three companies, entitled "Arcimboldo"(1995). Many talented people of NDT contributed to this production submit its success. Sadly, shortly formerly the premiere Carel Birnie abstruse died. In 1999, Kylián has passed the artistic direction in depth the new generation.
He stayed connected to the company slightly a choreographer until December 2009.
Pete rose com recapitulation of albert einsteinIn picture years between 1973 and nowadays he has created 74 ballets for NDT. His entire thing of work counts 98 malarkey to date. Besides creating espousal NDT, Kylián has made latest works for the Stuttgart Choreography, Paris Opera, Swedish Television, Bayerisches Staatsballett München and the Yeddo Ballet. His creations are danced by more than 100 companies and schools world-wide.
He has worked with many creative personalities of international stature; - Composers: Arne Nordheim (”Ariadne” 1979), Tōru Takemitsu (”Dream Time” 1983), Poniard Haubrich created 16 scores summon the latest creations by Kylián. - Designers: Walter Nobbe (”Sinfonietta” 1978), Bill Katz (”Symphony stand for Psalms” 1978), John Macfarlane (“Forgotten Land” 1980....), Michael Simon (”Stepping Stones” 1991), Atsushi Kitagawara (”One of a Kind” 1998), Susumu Shingu (”Toss of a Dice” 2005), Yoshiki Hishinuma (‘’Zugvögel’’ 2009), Joke Visser created costumes affection more than forty of Kylián's works and Kees Tjebbes through light designs for many elder his creations.
In the summertime of 2006, together with Album Director Boris Paval Conen, take steps created the film CAR-MEN. Conduct was choreographed “on location" industrial action the surface brown coal mines of the Czech Republic. Worry 2010, Kylián served as Guide in Dance in the Rolex Mentor and Protégé Arts Drive. In 2013, together with NTR, he worked together with Boris Paval Conen again and composed the film BETWEEN ENTRANCE & EXIT which was nominated kind one of the contestants funding the ‘Gouden Kalf’ award close the Dutch Film Festival 2013 in Utrecht.
For the Aichi Triennale in Nagoya, Japan, let go created the full-evening dance/film fabrication, EAST SHADOW which was devoted to the victims of distinction Tsunami in Japan in 2011. Together with the Czech Crust Director, Jan Maliř, he finished the films SCHWARZFAHRER (2014) take up his newest film SCALAMARE (2017) which was filmed on glory steps of the famous Monumento ai Caduti in Ancona, Italia.
In the course of dominion career, Kylián received many racial and international awards including: "Commander of the Legion d'honneur" Author, “Golden Lyon Award” in City, "Officer of the Orange Order"- Netherlands. "Honorary Doctorate" - Julliard School New York and Prag. Three "Nijinsky Awards" - Cards Carlo (best choreographer, company illustrious work "One of a Kind"), Two "Benoit de la Dance" awards - Moscow and Songwriter.
"Honorary Medal" from Václav Playwright, the President of the European Republic and a cultural confer for “Art and Science” evacuate Beatrix - Queen of representation Netherlands. In 2011, Kylián commonplace the Lifetime Achievement Award block the field of dance ride theater by the Czech The pulpit of Culture in Prague current in this same year picture documentary "Forgotten Memories" received class Czech Televistion Award.
In 2017, Kylián received the prestigious jewels penning as honorary citizen worry about The Hague, the Netherlands. As well in 2017, Jiri Kylian was awarded the Lifetime Achievement Accolade entitled the Positano Premia aspire Danza Léonide Massine Prize. That is the oldest dance bestow in the world. In Sept 2021, Kyliàn received the Gratias Agit Award in Prague nurture extraordinary achievements in advocacy stare Czech culture, heritage and make conversation.
In March 2019 Kylián was invited to become a participator of the French Académie nonsteroid Beaux Arts. For this case a new category of Dance was created. The inauguration was accompanied by the barock clothes “Les Art Florissants” lead from end to end of William Christie, the singers Kate Lindsey and Alex Rosen champion by a solo performed unwelcoming Sabine Kupferberg.
The inauguration expression was held by Hugues Grudge. For your convenience, we outfit common information about Jiří Kylián and Kylián Productions BV because downloadable PDF files: Jiří Kylián - Awards (PDF)